[Clayart] nceca news

mel jacobson melpots at visi.com
Thu May 31 18:27:30 EDT 2018



    *2019 NCECA ANNUAL EXHIBITION
    ENTRY DEADLINE: Wednesday, June 20, 2018 (11:59 pm MDT)*

    **
    <http://emaillinks.membersuite.com/wf/click?upn=D5xSR35puqKpYG7kmhjksD3ArOZ64jGlUX4aSFNT6gHfAItdAvXkIJZK5flQEIGf_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKodMtSYrhq5Pap-2B4HUhXWKUx-2FqKuYevPcYxmtJkwQp3SIX1W7fuBgaH9IxbOuz4hsiCVKLUoj-2B0jlXFNQwWQ4aozmj0bzWQqRzTtO72febF2R6soZXo4XdU0gPykFNFQ8fAzLi-2BazxxDYdIn5nUhB1PuUbJB12Hph8VdM0sKPwE2AHwFdjfmS-2F4azuIQcvAVENTeyXpVthvwuIz4-2FpmxNEzjhdiiVJRHlXE056RmNxhPrqLpGzAS9ch7ujFVtfQqYOlqTY5QA5mVVnKJtBlq-2Fu-2BpqK1kH4b2ujUTTH2hE8QWwQod-2FkPJiZcuYSOR9Gd9Czr30wl0uJ0hMbkTh4H4CJDFECToPaVxcMVnGmCsg7yElCFFxgsUkl5v1T3H9kFQlK7Ke6qfrSjuXI1QA0AbUBTtHL0GRbdP5-2Fb2f4FmCBSzaZYpeLqSlMIsQzjQ2EWnMOjZxir-2F-2Fr1SBLLwDXGs3ulnBNCYaKGhSHCeOY7p5R8xtjYgCqVzK1-2BcfjwJsWgqP4niHUrxNwpCBhRbscXz0SAufNX3V53QSheIW8k-2BNqkw1yC45FGLDfVP3mYOoGRcLH0LzslOYTLWseaVXuhoJ6RM-3D>/The
    Form Will Find Its Way: Contemporary Ceramic Sculptural
    Abstraction/, curated by Elizabeth Carpenter, will be hosted by the
    Katherine E. Nash Gallery within the Department of Art at the
    University of Minnesota. The exhibition will run from January 22 --
    March 30, 2019. Invited artists include Nicole Cherubini, Alexandra
    Engelfriet, Jessica Jackson Hutchins, Brie Ruais, and Anders
    Ruhwald. Interested in exhibiting with these artists and others
    exploring new vistas of ceramic form and expression? Visit
    https://nceca.net/2019-nceca-annual/
    <http://emaillinks.membersuite.com/wf/click?upn=D5xSR35puqKpYG7kmhjksD3ArOZ64jGlUX4aSFNT6gHfAItdAvXkIJZK5flQEIGf_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKodMtSYrhq5Pap-2B4HUhXWKUx-2FqKuYevPcYxmtJkwQp3SIX1W7fuBgaH9IxbOuz4hsiCVKLUoj-2B0jlXFNQwWQ4aozmj0bzWQqRzTtO72febF2R6soZXo4XdU0gPykFNFQ8fAzLi-2BazxxDYdIn5nUhB1PuUbJB12Hph8VdM0sKPwE2AHwFdjfmS-2F4azuIQcvAVENTeyXpVthvwuIz4-2FpmxNEzjhdiiVJRHlXE056RmNxhPrqLpGzAS9ch7ujFVtfQqYOlqTY5QA5mVVnKJtBlq-2Fu-2BpqK1kH4b2ujUTTH2hE8QWwQod-2FkPJiZcuYSOR9Gd9Czr30wl0uJ0hMbkTh4H4CJDFECToPaVxcMVnGmCsg7yElCFFxgsUkl5v1T3H9kFQlK7Ke6qfrSjuXI1QA0AbUBTtHL0GRbdP5-2Fb2f4FmCBSzaZYpeLqSlMIsQzjQ2EWnMOo2FgZOaxKltS6c2zgNxVxi97Yi0VbUDzWa1zFKaGyEfEymboXVrNaGg-2B6N7Zyt-2BMhpsswRAUlp9-2B-2Bw-2FU7ptgEypiXjXL5DpmJiRUcNIC6rAcbcCJVeYUwnSK2tRVIRyCxunadtHBRatE68ExfOx8-2Fw-3D>
    to learn more about submission eligibility, procedures, and
    requirements.

    Elizabeth Carpenter is an independent curator, writer, and educator,
    currently a lecturer in the Department of Art at the University of
    Minnesota where she teaches art history and theory. Carpenter holds
    a BA in English from the University of Wisconsin -- Madison, MA in
    Art History from the University of Minnesota, and M.Phil. in Art
    History from the City University of New York Graduate Center (CUNY).
    As curator of visual arts at the Walker Art Center from 2001-2015,
    some of her exhibition highlights included/ Frida Kahlo/ (2007);
    /Robert Irwin: Slant/Light/Volume/ (2009); Hélio Oiticica / Rirkrit
    Tiravanija: Contact (2010); Absentee Landlord (2011), curated with
    filmmaker John Waters; /Frank Gaard: Poison & Candy/ (2012); and
    /Dance Works III: Merce Cunningham / Rei Kawakubo /(2012). Prior to
    her role at the Walker, Carpenter served on the curatorial team
    responsible for the Solomon R. Guggenheim Museum exhibition, /Robert
    Rauschenberg: A Retrospective/ (1997). In 2001, as guest curator in
    the Department of Prints and Drawings, she curated /Jim Dine Prints:
    1985 -- 2000/ at the Minneapolis Institute of Arts for which she
    also wrote and edited a catalogue raisonné of Dine's graphic work.
    Her writing has appeared in numerous exhibition catalogues and /Art
    in Print. /

    *2019 VENUE ORIGINATED EXHIBITION PROPOSALS*
    *Submission Deadline - Wednesday, June 13*
    Do you represent a venue based in the greater Minneapolis? Are you
    an artist working with a conference region venue to produce an
    exhibition to be promoted through the Twin Cities' celebration of
    clay in 2019? Please visit
    https://nceca.net/2019-venue-originated-exhibitions-proposals/
    <http://emaillinks.membersuite.com/wf/click?upn=D5xSR35puqKpYG7kmhjksP4uj2BOAugTkMfv9DJ3TGDOXMYhOozH0JI2nYyRviARE0x5h-2FIOxk-2B8HIZt-2FMGTRLrGIRzRRz5AGgwpUstkutE-3D_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKodMtSYrhq5Pap-2B4HUhXWKUx-2FqKuYevPcYxmtJkwQp3SIX1W7fuBgaH9IxbOuz4hsiCVKLUoj-2B0jlXFNQwWQ4aozmj0bzWQqRzTtO72febF2R6soZXo4XdU0gPykFNFQ8fAzLi-2BazxxDYdIn5nUhB1PuUbJB12Hph8VdM0sKPwE2AHwFdjfmS-2F4azuIQcvAVENTeyXpVthvwuIz4-2FpmxNEzjhdiiVJRHlXE056RmNxhPrqLpGzAS9ch7ujFVtfQqYOlqTY5QA5mVVnKJtBlq-2Fu-2BpqK1kH4b2ujUTTH2hE8QWwQod-2FkPJiZcuYSOR9Gd9Czr30wl0uJ0hMbkTh4H4CJDFECToPaVxcMVnGmCsg7yElCFFxgsUkl5v1T3H9kFQlK7Ke6qfrSjuXI1QA0AbUBTtHL0GRbdP5-2Fb2f4FmCBSzaZYpeLqSlMIsQzjQ2EWnMOgk0YeoJ5f5ACEYmwtITowBx6DMf-2Bu9SNMjosa7imsvSL1mSMcqTkaDAO0-2BFSb4LMqLQoqQIlxoODzZMVTSagh8JVrgGe6Ya6xmaqjnVBZ4XdgMgy0OhLDO4lfllIVfH1xiIQNJf-2FZgMWMVriG1fvdk-3D> to
    learn more about NCECA's 2019 Venue Originated Exhibitions. NCECA's
    call for Venue Originated Exhibition proposals is intended for and
    limited to curators, gallery directors or staff of art venues,
    galleries and organizations based in the region of the 2019
    conference ... Minneapolis, Minnesota. All venues and organizers
    interested in developing clay-centered exhibitions eligible for
    listing on the NCECA website, print conference guide, and mobile
    device app must go through the process of review involved in this
    call for proposals. Eligible exhibitions must agree to be open to
    the public Tuesday, March 26 - Saturday, March 30, 2019 and are
    strongly recommended to be open on Monday, March 25 and Sunday,
    March 31, 2019.  

    Active membership in NCECA is suggested for the venue, curator, or
    organizer submitting the exhibition proposal. Exhibitions curated or
    organized by NCECA members are eligible for free listings in the
    conference promotional materials. Exhibition Proposals submitted by
    those who are not members of NCECA may be subject to a $50 listing
    fee for inclusion in NCECA's publications, including print
    materials, mobile device app, and website. Artists included in the
    proposal are not required to be members of NCECA at the time the
    proposal is submitted.

    *2019 GALLERY EXPO
    Submission Deadline - Wednesday, June 20*
    NCECA's Gallery Expo provides a unique opportunity for venues
    committed to professional exhibition and sale of ceramic art to
    present work and artists at the heart of one of the world's largest
    gatherings of enthusiasts for art and unique functional objects made
    with clay. Learn more about submission and eligibility requirements
    for this unique and competitive platform by visiting this page
    https://nceca.net/nceca-calls-and-exhibitions/gallery-expo-call/
    <http://emaillinks.membersuite.com/wf/click?upn=D5xSR35puqKpYG7kmhjksMz9GAiv2zaSqzOfNrIsQ8D-2BryoYoPg7LwVQb6OK-2B9xjOMfbJuB4m7dlUutoit91zZ51JqOIu7eeJVJBzAIL7dE-3D_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKodMtSYrhq5Pap-2B4HUhXWKUx-2FqKuYevPcYxmtJkwQp3SIX1W7fuBgaH9IxbOuz4hsiCVKLUoj-2B0jlXFNQwWQ4aozmj0bzWQqRzTtO72febF2R6soZXo4XdU0gPykFNFQ8fAzLi-2BazxxDYdIn5nUhB1PuUbJB12Hph8VdM0sKPwE2AHwFdjfmS-2F4azuIQcvAVENTeyXpVthvwuIz4-2FpmxNEzjhdiiVJRHlXE056RmNxhPrqLpGzAS9ch7ujFVtfQqYOlqTY5QA5mVVnKJtBlq-2Fu-2BpqK1kH4b2ujUTTH2hE8QWwQod-2FkPJiZcuYSOR9Gd9Czr30wl0uJ0hMbkTh4H4CJDFECToPaVxcMVnGmCsg7yElCFFxgsUkl5v1T3H9kFQlK7Ke6qfrSjuXI1QA0AbUBTtHL0GRbdP5-2Fb2f4FmCBSzaZYpeLqSlMIsQzjQ2EWnMOh439L9aVwCTdOwTg1gAerd2OKWSPJ7odnWgbs7xb9EL7eYC1eFn8BG8J24T8ELCL0HxqvrfVlYDu7nkl2W0Eq6MCNnJLSJTdhr7CYNudKyKIB-2FkIKIP6uy0f9aCxQY3KpYy3xAQH6S4ac73Ux9Z2O8-3D>.
    Up to nine galleries from across the US and/or abroad will be
    invited for participation by an adjudication committee chaired by
    NCECA Director at Large Russell Wrankle. Eligible galleries must be
    able to demonstrate a track record of high quality exhibition of
    ceramic art. The online submission process requires Gallery Contact
    information plus the following materials:

    ? Statement of philosophy and or goals for engaging artists,
    community and collectors. Limit 1800 characters including spaces.

    ? List of exhibiting artists (maximum of 10 for adjudication purposes)

    ? Please include gallery name and (if applicable) website address.

    ? Program Guide description -- Limit 300 characters including spaces
    (If your gallery is accepted, this will be printed in the Program Guide)

    ? Images -- Exactly 10 images are required; one of which is to be of
    the booth display. The other images are to be representative of
    works to be shown. If a booth display image is not available please
    include a rendering of the proposed design. (.jpg ONLY. Each image
    no larger than 800 KB)

    *2019 NCECA JURIED STUDENT EXHIBITION
    Submission Deadline - Wednesday, September 26 *

    *
    *The 2019 NCECA Juried Student Exhibition will take place at the Soo
    Visual Arts Center in Minneapolis, Minnesota. Juried by artists
    Linda Lopez and Steven Young Lee, for the first time, those studying
    ceramics in undergraduate, graduate, and post-baccalaureate programs
    in the United States, Canada, and Mexico will be eligible. The call
    for submissions will open in mid-August 2018. A nonprofit 501c3 arts
    organization that connects its community with fresh,
    underrepresented and provocative work, Soo Visual Arts Center's
    programming is made possible in part by the generous support of our
    Members, Best Buy Foundation, McKnight Foundation, Metropolitan
    Regional Arts Council, Target, Blue Cross Blue Shield of Minnesota,
    NEA ARTWORKS, and with assistance from Propel Nonprofits.

    *UPCOMING NCECA OPPORTUNITIES FOR CLAYTOPIA AND BEYOND, NCECA 2019*

    Next week, our Board of Directors will be in Minneapolis reviewing
    and selecting 2019 conference programming from a record number of
    submissions for /Claytopia/, NCECA's 53rd Annual conference that
    takes place in the Twin Cities from March 27-30, 2019. Planning
    ahead over your summer, we want you to be aware of the following
    opportunities that are upcoming on the calendar.*
    *

    *
    *

    *Deadline 09.12.18 - Emerging Artists*

    *Deadline 09.26.18 - NCECA Juried Student Exhibition

    Deadline 10.03.18 - Board Nominations

    Deadline 10.03.18 - Awards:* Honors, Fellows, Excellence in
    Teaching, and Outstanding Achievement

    *Deadline 10.10.18 - Additional Conference Program Proposals:* Short
    Form, Topical Networking, and Student Interests

    *Deadline 10.24.18 - Fellowships:* Regina Brown Undergraduate
    Student Fellowships, NCECA Graduate Student Fellowships, and
    Multicultural Fellowships

    *Deadline 1.16.19- International Residencies*

    *2018 CONFERENCE CONTENT TO EXPLORE*

    **
    <http://emaillinks.membersuite.com/wf/click?upn=2-2BM0wTGUbK6yCKY6Sh8uglVM7tr-2BfX1ElICnVMz2NDf4ZNNz1ZDStYwSwOSXenfjoeGHx2BrgSFC07-2BviKgpkrphgJhwLZfbwoBfNApWPJA-3D_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKodMtSYrhq5Pap-2B4HUhXWKUx-2FqKuYevPcYxmtJkwQp3SIX1W7fuBgaH9IxbOuz4hsiCVKLUoj-2B0jlXFNQwWQ4aozmj0bzWQqRzTtO72febF2R6soZXo4XdU0gPykFNFQ8fAzLi-2BazxxDYdIn5nUhB1PuUbJB12Hph8VdM0sKPwE2AHwFdjfmS-2F4azuIQcvAVENTeyXpVthvwuIz4-2FpmxNEzjhdiiVJRHlXE056RmNxhPrqLpGzAS9ch7ujFVtfQqYOlqTY5QA5mVVnKJtBlq-2Fu-2BpqK1kH4b2ujUTTH2hE8QWwQod-2FkPJiZcuYSOR9Gd9Czr30wl0uJ0hMbkTh4H4CJDFECToPaVxcMVnGmCsg7yElCFFxgsUkl5v1T3H9kFQlK7Ke6qfrSjuXI1QA0AbUBTtHL0GRbdP5-2Fb2f4FmCBSzaZYpeLqSlMIsQzjQ2EWnMOrhEYOQHSs6J8iGpkJTK1e5I2iuuPMwelBTiyoAFusgLYUHXoPisspC8djfQfmWEohQAZloNUHLo8IuCO1cU1Dgu4-2FnfpaKkAyA91OVqbzYobtqjonhgZnC-2FcfZOAeLe9uMeNG7NqPopf1HOx5QaT-2BE-3D>NCECA's
    2018 conference in Pittsburgh, /CrossCurrents: Clay and Culture/
    drew our largest audience to date with over 6,500 registrants. The
    program was packed with rich content ranging from lectures to
    panels, and roundtable discussions, a dozen of which are now
    available for your viewing online at
    https://www.youtube.com/user/WatchNCECA
    <http://emaillinks.membersuite.com/wf/click?upn=2-2BM0wTGUbK6yCKY6Sh8ugtKpf4XWoaaA5lzerpLPYQLP098tyM5cXa3umnonS4ht_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKodMtSYrhq5Pap-2B4HUhXWKUx-2FqKuYevPcYxmtJkwQp3SIX1W7fuBgaH9IxbOuz4hsiCVKLUoj-2B0jlXFNQwWQ4aozmj0bzWQqRzTtO72febF2R6soZXo4XdU0gPykFNFQ8fAzLi-2BazxxDYdIn5nUhB1PuUbJB12Hph8VdM0sKPwE2AHwFdjfmS-2F4azuIQcvAVENTeyXpVthvwuIz4-2FpmxNEzjhdiiVJRHlXE056RmNxhPrqLpGzAS9ch7ujFVtfQqYOlqTY5QA5mVVnKJtBlq-2Fu-2BpqK1kH4b2ujUTTH2hE8QWwQod-2FkPJiZcuYSOR9Gd9Czr30wl0uJ0hMbkTh4H4CJDFECToPaVxcMVnGmCsg7yElCFFxgsUkl5v1T3H9kFQlK7Ke6qfrSjuXI1QA0AbUBTtHL0GRbdP5-2Fb2f4FmCBSzaZYpeLqSlMIsQzjQ2EWnMOhhtjtGxiPPmmTE8n5JBRkorEBlMZd777TCethPSOwYnBz8Prn0yX0m-2FT6zeE74MQHPRZIfj1y0TJha0UTuqYOZ517tMZ67a6kLacxXenKziWDCURxqsp75iC4HwFDWm5tpZMjbsU-2FuvHGL06RYX8vk-3D>.
    Bookmark this link in your browser as additional content will be
    coming over time. Recently added to the playlist of 2018 conference
    programming is Richard Notkin's extraordinary closing talk, THE
    POWER OF ART AND OUR PRECARIOUS FUTURE
    <http://emaillinks.membersuite.com/wf/click?upn=2-2BM0wTGUbK6yCKY6Sh8uglVM7tr-2BfX1ElICnVMz2NDf4ZNNz1ZDStYwSwOSXenfjoeGHx2BrgSFC07-2BviKgpkrphgJhwLZfbwoBfNApWPJA-3D_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKodMtSYrhq5Pap-2B4HUhXWKUx-2FqKuYevPcYxmtJkwQp3SIX1W7fuBgaH9IxbOuz4hsiCVKLUoj-2B0jlXFNQwWQ4aozmj0bzWQqRzTtO72febF2R6soZXo4XdU0gPykFNFQ8fAzLi-2BazxxDYdIn5nUhB1PuUbJB12Hph8VdM0sKPwE2AHwFdjfmS-2F4azuIQcvAVENTeyXpVthvwuIz4-2FpmxNEzjhdiiVJRHlXE056RmNxhPrqLpGzAS9ch7ujFVtfQqYOlqTY5QA5mVVnKJtBlq-2Fu-2BpqK1kH4b2ujUTTH2hE8QWwQod-2FkPJiZcuYSOR9Gd9Czr30wl0uJ0hMbkTh4H4CJDFECToPaVxcMVnGmCsg7yElCFFxgsUkl5v1T3H9kFQlK7Ke6qfrSjuXI1QA0AbUBTtHL0GRbdP5-2Fb2f4FmCBSzaZYpeLqSlMIsQzjQ2EWnMOmtmkamCN7f6GflCkTjU26YW3T9KhFJWrN09ZyHrWLvi6ZhXx8g9y71gbMNOHIpb0La1LKendKSRJ2NhZkdD-2FbUsO0BIH-2B5D2nbyCaj-2FOzmsVlmR0S-2BviIxvEmi-2F2crNl5ay5XmO-2Br4u4z2PSGKMqBQ-3D>.
    We hope that NCECA's presence on YouTube will be a go-to resource in
    your home, studio, or classroom

    *UPDATES TO SYSTEM LOGIN*
    In its ongoing efforts to improve the online experience of our
    members, a change is coming to the login process for the NCECA
    website. Coming soon will be a direct login link from the top menu
    of the homepage at nceca.net. This link will open a popup window in
    which you can enter the email and password of any account you may
    have previously created. Or, you can also use this link to create a
    new user if you haven't used the login portal in the past.

    NCECA encourages all historical users to revisit their account
    profiles and review their contact information for current accuracy.
    Once in your profile, update or confirm your contact information;
    BEST address, phone, and email address. Making sure that the contact
    information in your profile is up-to-date enables NCECA to be in
    touch with you and maintains the integrity of our database.

    *92Y #GLOBALDAYOFCLAY JOIN FORCES WITH NATIONAL CLAY WEEK AND NCECA*
    NCECA is excited to announce that cooperative scheduling for two
    great online experiences for ceramic art advocates is coalescing for
    2018. The leadership team at National Clay Week and 92Y are setting
    plans for an exceptional week of clay in cyberspace taking place
    October 8-14, 2018, with #GlobalDayofClay taking place on Wednesday,
    October 10. NCECA is excited to be working with these important
    initiatives in our field by helping to spread the word about these
    opportunities to share and connect across the spectrum of our
    field's interests. Visit the websites for 92Y
    https://www.92y.org/globaldayofclay
    <http://emaillinks.membersuite.com/wf/click?upn=2-2BM0wTGUbK6yCKY6Sh8ugsfEaZvx5aZk9x0THISm7BO-2FxExDdrN86vtDasTL88bB_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKodMtSYrhq5Pap-2B4HUhXWKUx-2FqKuYevPcYxmtJkwQp3SIX1W7fuBgaH9IxbOuz4hsiCVKLUoj-2B0jlXFNQwWQ4aozmj0bzWQqRzTtO72febF2R6soZXo4XdU0gPykFNFQ8fAzLi-2BazxxDYdIn5nUhB1PuUbJB12Hph8VdM0sKPwE2AHwFdjfmS-2F4azuIQcvAVENTeyXpVthvwuIz4-2FpmxNEzjhdiiVJRHlXE056RmNxhPrqLpGzAS9ch7ujFVtfQqYOlqTY5QA5mVVnKJtBlq-2Fu-2BpqK1kH4b2ujUTTH2hE8QWwQod-2FkPJiZcuYSOR9Gd9Czr30wl0uJ0hMbkTh4H4CJDFECToPaVxcMVnGmCsg7yElCFFxgsUkl5v1T3H9kFQlK7Ke6qfrSjuXI1QA0AbUBTtHL0GRbdP5-2Fb2f4FmCBSzaZYpeLqSlMIsQzjQ2EWnMOrAUxmzrYNTGir-2FNbMpTKqEl382AF3xIlsbhGiNo7nbLQ85-2BD-2F1b5P42ejbIZ0RKXahMLcz93FKawSpxPL6QXGZT8OiHOr2fV7UFszEz3Lg1EIOaD-2FQjQ8lRdxwbGUyfXWWWczxLifvG4C8v4-2BHn2jU-3D>
    and National Clay Week https://www.nationalclayweek.org/
    <http://emaillinks.membersuite.com/wf/click?upn=2-2BM0wTGUbK6yCKY6Sh8ugrdhSq32xD7jIFRqBMiT1g1tPzGRU6KE79UUzqSzrq65_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKodMtSYrhq5Pap-2B4HUhXWKUx-2FqKuYevPcYxmtJkwQp3SIX1W7fuBgaH9IxbOuz4hsiCVKLUoj-2B0jlXFNQwWQ4aozmj0bzWQqRzTtO72febF2R6soZXo4XdU0gPykFNFQ8fAzLi-2BazxxDYdIn5nUhB1PuUbJB12Hph8VdM0sKPwE2AHwFdjfmS-2F4azuIQcvAVENTeyXpVthvwuIz4-2FpmxNEzjhdiiVJRHlXE056RmNxhPrqLpGzAS9ch7ujFVtfQqYOlqTY5QA5mVVnKJtBlq-2Fu-2BpqK1kH4b2ujUTTH2hE8QWwQod-2FkPJiZcuYSOR9Gd9Czr30wl0uJ0hMbkTh4H4CJDFECToPaVxcMVnGmCsg7yElCFFxgsUkl5v1T3H9kFQlK7Ke6qfrSjuXI1QA0AbUBTtHL0GRbdP5-2Fb2f4FmCBSzaZYpeLqSlMIsQzjQ2EWnMOiDhcHbGQDQOyVRFcktvNKxnjFm49wOWtoJEuzOXkOR7X5WD4dGPMrVWYAaMktwsvkYEStVT83PfWOAVGTwvz6OxVKLqc8BiNYzFS51Im1U-2FVl7vL-2FnSXkth61I-2BzeDde6LUeRUXGhdHTGwbY2X68rc-3D>
    to learn more about how you can work your teaching, learning, and
    studio plans with these great initiatives in mind.

     

 

-- 
Mel's Website:  www.melpots.com
CLAYART PAGE:
http://www.melpots.com/CLAYART.HTML

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