[Clayart] nceca news
mel jacobson
melpots at visi.com
Tue May 15 20:51:24 EDT 2018
*PROPOSE A PRESENTATION FOR CLAYTOPIA, NCECA 2019*
/Claytopia/, NCECA's 53rd Annual conference takes place in Minneapolis,
Minnesota
March 27-30, 2019. Several calls are now open. Proposals for Projects
Space
<http://emaillinks.membersuite.com/wf/click?upn=D5xSR35puqKpYG7kmhjksMz9GAiv2zaSqzOfNrIsQ8D-2BryoYoPg7LwVQb6OK-2B9xjpgzBaJ6kPUJbeXw16mi3Fv1aqtuohplfaKgmeocpBnw-3D_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKofILt24D-2BP2NH5YEgYhP6npC3eVWWortMFrBxxYIxVoG28vxaGDrmfMpLRs5ga-2BYkn5-2BaXRZtHOZdNZGdAWTFjEAGFyfARIovBELh3Gfyzt5Gkc9aTr24L7qQRyx2JMjOBfaOqcFYfOhem754eLCGLj5gPkhZ0DH5YN0pnABdc7uP-2Bfx0sLHsdjX-2FOEMFA8JaqxZEZ5F9OM-2BL2s6YNo8wQurDgpjR7tcv6xz9CkqBNizhpOceg9cHoYxdcHfKEVIM8LtgHNhNR2H-2Fl-2FMHN-2FPA1i0MJaOUGJc2xwbnlPaQ79s9dpcbRoy7ZaPf-2BIr40T4pvxaypVs-2F7bBS4-2F0nLOvcqF-2BG-2FXKPL6VWltYxisgz1umXT41rYrMVF9x-2BrLlPdiWC-2B0z2dWn8apvSaHITmuWMEL-2B6aFvMceKwshCytoiKRv6bM0c0k7zs7-2F2LQcS1kgUyPA-2FtddZKs8jKPDI4kDB-2F6kiel-2FvyX12uoKBr9Z1U22XXzRRcbK-2BQLX6iSSXU-2FVLo8UW41OwUqNLvH-2FfIWMcVlXgY7HXOR2lPbp-2Frm15jI2FiagKIpYZxV9Qm7viugMQfa4nowEhEICCpWiELqa2U4g-3D>;
Lectures, Panels, and Discussions
<http://emaillinks.membersuite.com/wf/click?upn=D5xSR35puqKpYG7kmhjksMz9GAiv2zaSqzOfNrIsQ8D-2BryoYoPg7LwVQb6OK-2B9xjb0S9EgXSlq-2BsQcLPqyDGLzWgLtuRfODELWwPTmwSiVSCKOdzxww3fu0Hqgyvnqza_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKofILt24D-2BP2NH5YEgYhP6npC3eVWWortMFrBxxYIxVoG28vxaGDrmfMpLRs5ga-2BYkn5-2BaXRZtHOZdNZGdAWTFjEAGFyfARIovBELh3Gfyzt5Gkc9aTr24L7qQRyx2JMjOBfaOqcFYfOhem754eLCGLj5gPkhZ0DH5YN0pnABdc7uP-2Bfx0sLHsdjX-2FOEMFA8JaqxZEZ5F9OM-2BL2s6YNo8wQurDgpjR7tcv6xz9CkqBNizhpOceg9cHoYxdcHfKEVIM8LtgHNhNR2H-2Fl-2FMHN-2FPA1i0MJaOUGJc2xwbnlPaQ79s9dpcbRoy7ZaPf-2BIr40T4pvxaypVs-2F7bBS4-2F0nLOvcqF-2BG-2FXKPL6VWltYxisgz1umXT41rYrMVF9x-2BrLlPdiWC-2B0z2dWn8apvSaHITmuWMEL-2B6aFvMceKwshCytoiKRv6bM0c0k7zs7-2F2LQcS1kgUyMcdVx46LTe9mVpRO2fpXr-2Ffq-2F-2Bff-2F7m6vA88CwD6F3ilTN6SFgT8t8XNQFW4qmBuw6QF2TIHZJJRgUsJAon0ijYIbHoXfn7mAhlxk0eJ-2BfO8uYUSu5aoXALHrhSopVlgI2z-2Fih5NmXhPedE31fhDEw-3D>;
and Demonstrating Artists
<http://emaillinks.membersuite.com/wf/click?upn=D5xSR35puqKpYG7kmhjksMz9GAiv2zaSqzOfNrIsQ8D-2BryoYoPg7LwVQb6OK-2B9xjKjODr-2F0-2BeLldZNy0y-2B2JLpkcs4A8Xz2LwMf3DRNy5RU-3D_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKofILt24D-2BP2NH5YEgYhP6npC3eVWWortMFrBxxYIxVoG28vxaGDrmfMpLRs5ga-2BYkn5-2BaXRZtHOZdNZGdAWTFjEAGFyfARIovBELh3Gfyzt5Gkc9aTr24L7qQRyx2JMjOBfaOqcFYfOhem754eLCGLj5gPkhZ0DH5YN0pnABdc7uP-2Bfx0sLHsdjX-2FOEMFA8JaqxZEZ5F9OM-2BL2s6YNo8wQurDgpjR7tcv6xz9CkqBNizhpOceg9cHoYxdcHfKEVIM8LtgHNhNR2H-2Fl-2FMHN-2FPA1i0MJaOUGJc2xwbnlPaQ79s9dpcbRoy7ZaPf-2BIr40T4pvxaypVs-2F7bBS4-2F0nLOvcqF-2BG-2FXKPL6VWltYxisgz1umXT41rYrMVF9x-2BrLlPdiWC-2B0z2dWn8apvSaHITmuWMEL-2B6aFvMceKwshCytoiKRv6bM0c0k7zs7-2F2LQcS1kgUyKxkbhweJIO9CDI8Rb4SKfTuDpMtUaT41nis5o-2FhULxnbG2kEO2UyHySRBugmO-2BoQeVD8Zt5-2FJHu8-2Fzw0uX1-2F-2FUy0FKDSDLYslJH56pZNvhcc3yryE-2FadfPy2XnNWOdVVmyNjr5KislPcs7w-2FwIbUZ4-3D>
share a deadline of May 16, 2018 (11:59 pm EDT). Visit
https://nceca.net/nceca-calls-and-exhibitions/
<http://emaillinks.membersuite.com/wf/click?upn=D5xSR35puqKpYG7kmhjksMz9GAiv2zaSqzOfNrIsQ8D-2BryoYoPg7LwVQb6OK-2B9xjV4m-2BqCqaf-2BK07XIidglYQA-3D-3D_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKofILt24D-2BP2NH5YEgYhP6npC3eVWWortMFrBxxYIxVoG28vxaGDrmfMpLRs5ga-2BYkn5-2BaXRZtHOZdNZGdAWTFjEAGFyfARIovBELh3Gfyzt5Gkc9aTr24L7qQRyx2JMjOBfaOqcFYfOhem754eLCGLj5gPkhZ0DH5YN0pnABdc7uP-2Bfx0sLHsdjX-2FOEMFA8JaqxZEZ5F9OM-2BL2s6YNo8wQurDgpjR7tcv6xz9CkqBNizhpOceg9cHoYxdcHfKEVIM8LtgHNhNR2H-2Fl-2FMHN-2FPA1i0MJaOUGJc2xwbnlPaQ79s9dpcbRoy7ZaPf-2BIr40T4pvxaypVs-2F7bBS4-2F0nLOvcqF-2BG-2FXKPL6VWltYxisgz1umXT41rYrMVF9x-2BrLlPdiWC-2B0z2dWn8apvSaHITmuWMEL-2B6aFvMceKwshCytoiKRv6bM0c0k7zs7-2F2LQcS1kgUyG2NMxn-2FPnzTRk58FLQbEt3eJfJ0Lc9P3Gj6Q1QLSVqAEQnGE8QdT87eddWgLzfNeouIQpf-2BGZJ7OUS-2FK6WHVqNtoFxQG-2FfRRRuFrmVNL5jIVAZvUH7fJ615rmWayFYlQggubnCTPtSvoABc-2FR6KNJY-3D>
to see the full annual cycle of exhibition, conference programming, and
opportunity calls for 2018-2019.
*2019 NCECA ANNUAL EXHIBITION*
ENTRY DEADLINE: Wednesday, June 20, 2018 (11:59 pm MDT)
/The Form Will Find Its Way: Contemporary Ceramic Sculptural
Abstraction/, curated by Elizabeth Carpenter, will be hosted by the
Katherine E. Nash Gallery within the Department of Art at the University
of Minnesota. The exhibition will run from January 22 -- March 30, 2019.
Invited artists include Nicole Cherubini, Alexandra Engelfriet, Jessica
Jackson Hutchins, Brie Ruais, and Anders Ruhwald. NCECA encourages
artists working with clay as a primary medium of expression to consider
entering this exciting exhibition. Visit
https://nceca.net/2019-nceca-annual/
<http://emaillinks.membersuite.com/wf/click?upn=D5xSR35puqKpYG7kmhjksD3ArOZ64jGlUX4aSFNT6gHfAItdAvXkIJZK5flQEIGf_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKofILt24D-2BP2NH5YEgYhP6npC3eVWWortMFrBxxYIxVoG28vxaGDrmfMpLRs5ga-2BYkn5-2BaXRZtHOZdNZGdAWTFjEAGFyfARIovBELh3Gfyzt5Gkc9aTr24L7qQRyx2JMjOBfaOqcFYfOhem754eLCGLj5gPkhZ0DH5YN0pnABdc7uP-2Bfx0sLHsdjX-2FOEMFA8JaqxZEZ5F9OM-2BL2s6YNo8wQurDgpjR7tcv6xz9CkqBNizhpOceg9cHoYxdcHfKEVIM8LtgHNhNR2H-2Fl-2FMHN-2FPA1i0MJaOUGJc2xwbnlPaQ79s9dpcbRoy7ZaPf-2BIr40T4pvxaypVs-2F7bBS4-2F0nLOvcqF-2BG-2FXKPL6VWltYxisgz1umXT41rYrMVF9x-2BrLlPdiWC-2B0z2dWn8apvSaHITmuWMEL-2B6aFvMceKwshCytoiKRv6bM0c0k7zs7-2F2LQcS1kgUyHfWC5V2g9WSv8CVpwMBYPrlVLwJh-2FGk8PPKnSKji2U7y-2BtM9PKpaN7PRtm-2F7rgAMVFiSR6XqogZvgVgI2pWpctaSkuLKtMYh0S4llHNhoqBBe-2B9QV67h2VijU53mZDjckgC9U3wGTvet4wZZexVK4w-3D>
to learn more about submission eligibility, procedures, and requirements.
The NCECA Annual blends impactful attributes of invitational and open
juried models of exhibition development. The vision of a single curator
generates an organizing concept for the exhibition and invites five
leading artists in the field whose work serves to build out and expand
on the exhibition's conceptual framework. The curator then makes
selections of additional works and artists for the exhibition through an
open call for submissions.
Elizabeth Carpenter is an independent curator, writer, and educator. As
curator of visual arts at the Walker Art Center from 2001-2015, some of
her exhibition highlights included /Frida Kahlo /(2007);/ Robert Irwin:
Slant/Light/Volume /(2009); /Hélio Oiticica / Rirkrit Tiravanija:
Contact /(2010);/ Absentee Landlord /(2011), curated with filmmaker John
Waters; /Frank Gaard: Poison & Candy/ (2012); and /Dance Works III:
Merce Cunningham / Rei Kawakubo/ (2012). Prior to her role at the
Walker, Carpenter served on the curatorial team responsible for the
Solomon R. Guggenheim Museum exhibition, /Robert Rauschenberg: A
Retrospective /(1997). In 2001, as guest curator in the Department of
Prints and Drawings, she curated /Jim Dine Prints: 1985 -- 2000 /at the
Minneapolis Institute of Arts for which she also wrote and edited a
catalogue raisonné of Dine's graphic work. Carpenter's writing has
appeared in numerous exhibition catalogues and /Art in Print/.
Currently a lecturer in the Department of Art at the University of
Minnesota where she teaches art history and theory, Carpenter holds a BA
in English from the University of Wisconsin -- Madison, MA in Art
History from the University of Minnesota, and M.Phil. in Art History
from the City University of New York Graduate Center (CUNY).
Carpenter shares...
With/ The Form Will Find Its Way: Contemporary Ceramic Sculptural
Abstraction/, I will be exploring experimental, cross-disciplinary,
and aesthetically diverse artistic practices, with the explicit
intention to avoid preconceptions about established categories like
art and craft. My interest in ceramics launches from the modernist
sculptural tradition. The works that I hope to select for the
exhibition will tend toward a sculptural exploration of abstraction
rather than traditional or functional ceramic objects and vessels.
I am seeking to include artists who work in an interdisciplinary
mode, not only in order to tap into ambiguity, disorder, entropy,
and the uncanny, but also to challenge the plinth and the pedestal
while embracing the possibilities of alternative installation
strategies, and/or time-based media. Within the rubric of sculptural
abstraction, I am especially interested in phenomenology---i.e., the
tension and scale of objects in space; the impact of perception and
bodily movement on the part of the artist while creating and the
spectator while experiencing art; and performative strategies,
processes, and outcomes.
There is no aim at being comprehensive---my selection of artists
will be a sampling of current practices, and represents an attempt
at a sustained consideration of one crossover tendency within the
worlds of ceramics and contemporary art.
*2018 CONFERENCE CONTENT TO EXPLORE*
NCECA's 2018 conference in Pittsburgh,/ CrossCurrents: Clay and Culture
/drew our largest audience to date with over 6,500 registrants. The
program was packed with rich content ranging from lectures to panels,
and roundtable discussions, a dozen of which are now available for your
viewing online at https://www.youtube.com/user/WatchNCECA
<http://emaillinks.membersuite.com/wf/click?upn=2-2BM0wTGUbK6yCKY6Sh8ugtKpf4XWoaaA5lzerpLPYQLP098tyM5cXa3umnonS4ht_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKofILt24D-2BP2NH5YEgYhP6npC3eVWWortMFrBxxYIxVoG28vxaGDrmfMpLRs5ga-2BYkn5-2BaXRZtHOZdNZGdAWTFjEAGFyfARIovBELh3Gfyzt5Gkc9aTr24L7qQRyx2JMjOBfaOqcFYfOhem754eLCGLj5gPkhZ0DH5YN0pnABdc7uP-2Bfx0sLHsdjX-2FOEMFA8JaqxZEZ5F9OM-2BL2s6YNo8wQurDgpjR7tcv6xz9CkqBNizhpOceg9cHoYxdcHfKEVIM8LtgHNhNR2H-2Fl-2FMHN-2FPA1i0MJaOUGJc2xwbnlPaQ79s9dpcbRoy7ZaPf-2BIr40T4pvxaypVs-2F7bBS4-2F0nLOvcqF-2BG-2FXKPL6VWltYxisgz1umXT41rYrMVF9x-2BrLlPdiWC-2B0z2dWn8apvSaHITmuWMEL-2B6aFvMceKwshCytoiKRv6bM0c0k7zs7-2F2LQcS1kgUyKb4K9PrGhNgEvhPr9Q7QWVZq7BEP6XVeiHSjkh5NAweeqd5E5tg6QjMIW0BbEkL-2BUsmSeOHp-2BRoHqZMbT03-2F0W55IWNMGI1EKGkFts6mRH-2BDIH1IZje9rKlz2fqW9ubyttueaXFUFDJTAFbYCFypw8-3D>.
Bookmark this link in your browser as additional content will be coming
over time. Recently added to the playlist of 2018 conference programming
is Richard Notkin's extraordinary closing talk What's Clay Got to Do
With It? The Power of Art and Our Precarious Future.
<http://emaillinks.membersuite.com/wf/click?upn=2-2BM0wTGUbK6yCKY6Sh8uglVM7tr-2BfX1ElICnVMz2NDf4ZNNz1ZDStYwSwOSXenfjoeGHx2BrgSFC07-2BviKgpkrphgJhwLZfbwoBfNApWPJA-3D_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKofILt24D-2BP2NH5YEgYhP6npC3eVWWortMFrBxxYIxVoG28vxaGDrmfMpLRs5ga-2BYkn5-2BaXRZtHOZdNZGdAWTFjEAGFyfARIovBELh3Gfyzt5Gkc9aTr24L7qQRyx2JMjOBfaOqcFYfOhem754eLCGLj5gPkhZ0DH5YN0pnABdc7uP-2Bfx0sLHsdjX-2FOEMFA8JaqxZEZ5F9OM-2BL2s6YNo8wQurDgpjR7tcv6xz9CkqBNizhpOceg9cHoYxdcHfKEVIM8LtgHNhNR2H-2Fl-2FMHN-2FPA1i0MJaOUGJc2xwbnlPaQ79s9dpcbRoy7ZaPf-2BIr40T4pvxaypVs-2F7bBS4-2F0nLOvcqF-2BG-2FXKPL6VWltYxisgz1umXT41rYrMVF9x-2BrLlPdiWC-2B0z2dWn8apvSaHITmuWMEL-2B6aFvMceKwshCytoiKRv6bM0c0k7zs7-2F2LQcS1kgUyNavfz-2B4ys1eYqVSY3WCJmb7a25qrrmXEr6oF-2Bwq3siYV-2B0Kq2ziQkzqAmJ552aGyaqqx2uuWwdURgH5MhNwns2RpzzGoFrF0mxEPHafstB8SxhwyU4Q6kady7RyRUQjYqWYKo-2Fwg7qffBSAn4vIMe0-3D>
We hope that NCECA's presence on YouTube will be a go-to resource in
your home, studio, or classroom.
*UPDATES TO SYSTEM LOGIN*
In its ongoing efforts to improve the online experience of our members,
a change is coming to the login process for the NCECA website. Coming
soon will be a direct login link from the top menu of the homepage at
nceca.net. This link will open a popup window in which you can enter the
email and password of any account you may have previously created. Or,
you can also use this link to create a new user if you haven't used the
login portal in the past.
NCECA encourages all historical users to revisit their account profiles
and review their contact information for current accuracy. Once in your
profile, update or confirm your contact information; BEST address,
phone, and email address. Making sure that the contact information in
your profile is up-to-date enables NCECA to be in touch with you and
maintains the integrity of our database.
*92Y #GLOBALDAYOFCLAY JOIN FORCES WITH NATIONAL CLAY WEEK AND NCECA*
NCECA is excited to announce that cooperative scheduling for two great
online experiences for ceramic art advocates is coalescing for 2018. The
leadership team at National Clay Week and 92Y are setting plans for an
exceptional week of clay in cyberspace taking place October 8-14, 2018,
with #GlobalDayofClay taking place on Wednesday, October 10. NCECA is
excited to be working with these important initiatives in our field by
helping to spread the word about these opportunities to share and
connect across the spectrum of our field's interests. Visit the websites
for 92Y https://www.92y.org/globaldayofclay
<http://emaillinks.membersuite.com/wf/click?upn=2-2BM0wTGUbK6yCKY6Sh8ugsfEaZvx5aZk9x0THISm7BO-2FxExDdrN86vtDasTL88bB_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKofILt24D-2BP2NH5YEgYhP6npC3eVWWortMFrBxxYIxVoG28vxaGDrmfMpLRs5ga-2BYkn5-2BaXRZtHOZdNZGdAWTFjEAGFyfARIovBELh3Gfyzt5Gkc9aTr24L7qQRyx2JMjOBfaOqcFYfOhem754eLCGLj5gPkhZ0DH5YN0pnABdc7uP-2Bfx0sLHsdjX-2FOEMFA8JaqxZEZ5F9OM-2BL2s6YNo8wQurDgpjR7tcv6xz9CkqBNizhpOceg9cHoYxdcHfKEVIM8LtgHNhNR2H-2Fl-2FMHN-2FPA1i0MJaOUGJc2xwbnlPaQ79s9dpcbRoy7ZaPf-2BIr40T4pvxaypVs-2F7bBS4-2F0nLOvcqF-2BG-2FXKPL6VWltYxisgz1umXT41rYrMVF9x-2BrLlPdiWC-2B0z2dWn8apvSaHITmuWMEL-2B6aFvMceKwshCytoiKRv6bM0c0k7zs7-2F2LQcS1kgUyBSvMxbG5fMtzFfM80NW7iP1i8p0LojRcVyDe0ITy4ahdjG68rXGKXy-2BNtOm7gA54WfaJtJ8nIVcAl0lSSijMP6dcAtuovXsqirqhs4WGzTVzidtmd-2BIzUsjfdQ0sa8HbI-2F-2FGWXgNAq7Zv8L47pilwA-3D>
and National Clay Week https://www.nationalclayweek.org
<http://emaillinks.membersuite.com/wf/click?upn=2-2BM0wTGUbK6yCKY6Sh8ugrdhSq32xD7jIFRqBMiT1g1-2BBop1phSvW1vnzDg3SVV3_Ox9kWyidCWsFjAj7ex4YLB3sd-2FIVIoXzYoDXHpZBT9irCv85ocPynNfpJD4qU7CXJdFqsCh8BWGBCC4CrgyKofILt24D-2BP2NH5YEgYhP6npC3eVWWortMFrBxxYIxVoG28vxaGDrmfMpLRs5ga-2BYkn5-2BaXRZtHOZdNZGdAWTFjEAGFyfARIovBELh3Gfyzt5Gkc9aTr24L7qQRyx2JMjOBfaOqcFYfOhem754eLCGLj5gPkhZ0DH5YN0pnABdc7uP-2Bfx0sLHsdjX-2FOEMFA8JaqxZEZ5F9OM-2BL2s6YNo8wQurDgpjR7tcv6xz9CkqBNizhpOceg9cHoYxdcHfKEVIM8LtgHNhNR2H-2Fl-2FMHN-2FPA1i0MJaOUGJc2xwbnlPaQ79s9dpcbRoy7ZaPf-2BIr40T4pvxaypVs-2F7bBS4-2F0nLOvcqF-2BG-2FXKPL6VWltYxisgz1umXT41rYrMVF9x-2BrLlPdiWC-2B0z2dWn8apvSaHITmuWMEL-2B6aFvMceKwshCytoiKRv6bM0c0k7zs7-2F2LQcS1kgUyEUcg3qLhaeNkKcvgs4p-2Bt9v-2BB7a9nvTpZuF4OIp5WrDB2HoPI3OKH-2FLiOQvPXbymzUqzKPRC5Uf-2FvYWEWABqkVzqouX8uBlzdI91jx-2BbOJkVdYmOXosAHlq3C5zMobaJqSeyNlayBm-2BFZLXQrqZBE0-3D>/
to learn more about how you can work your teaching, learning, and studio
plans with these great initiatives in mind.
--
Mel's Website: www.melpots.com
CLAYART PAGE:
http://www.melpots.com/CLAYART.HTML
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